Following many useful years, my stack of carefully curated earthenware bowls toppled from the edge of their shelf. They ricocheted off unforgiving flagstones and shattered. I knelt with regret on the cold floor as I gathered their exposed earthy innards.
In the light of the late afternoon I clinically laid them out on a sheet of white paper. I photographed their curved bellies starkly juxtaposed against jagged edges. Photographs from an inconclusive autopsy revealed fantastical landscapes and puzzling still lives.
I journeyed back and forth between the increasing evidence: drawings, photographs, mono-prints and case notes, all of which spoke of the remains.  Preliminary works on paper seemed to shift somewhere between abstract and representational. Finally, without any prompt or ceremony, I dressed each one in a fitting acrylic palette and laid them to rest one by one on a carefully prepared canvas.
 
                    Collision. Acrylic on canvas, 90 x 75cm
 
                    In Limbo. Acrylic on canvas, 90 x 90cm
 
                    Betwixt. Acrylic on canvas, 90 x 75cm
 
                    Between. Acrylic on canvas, 90 x 75cm
 
                    In repose. Acrylic on canvas, 90 x 75cm
 
                    Bewitched. Acrylic on canvas, 90 x 75cm
 
                    Degree Show. Installation shot 1
 
                    Degree Show. Installation shot 2
 
                    Degree Show. Installation shot 3
Research
 
                    Collision. A4 samples on paper