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Receipts on a Wire

Polly Maher

She/her

In general, my work toes the line between the contextual expression of distinct content and the physical expression of paint sitting on a surface. In particular, I am interested in moving the portrayal of rural content from the traditional domain to the contemporary. Painting on a small/medium scale means that I can create a concentrated intimacy with both the object(s) being represented and the paint itself. Representing the form of an object using the direction and shape of the brushstroke is important to me. It marries the character of the content to the nature of the paint.

Ledge

Ledge

“Holder for a drill, don’t think the drill was  ever in it. Reflectors for side of a trailer and  a cable for a brake and the triangle thing is  the scraper for the cooker.”

“Holder for a drill, don’t think the drill was ever in it. Reflectors for side of a trailer and a cable for a brake and the triangle thing is the scraper for the cooker.”

Handle

Handle

Boxes in Boxes

Boxes in Boxes

Pins and Plate

Pins and Plate

Nail and Paper

Nail and Paper

Red Step-Ladder

Red Step-Ladder

Step-Ladder in Blue Light

Step-Ladder in Blue Light

Receipts on a Wire Installation

Receipts on a Wire Installation

Receipts on a Wire Installation

Receipts on a Wire Installation