Juliette Morrison uses autoethnography as her primary form of research. Autoethnography involves using self-reflection and photography to explore anecdotal and personal experience, which is then connected back to wider cultural, political, and social meanings and understandings.
Juliette usually bases the composition of her paintings on old magazine covers, records, posters and classical paintings, but changes the subject matter to relate to an event that has happened in her life. Common themes in her work include classical music and paintings, pop culture, and tongue-in-cheek humour. She paints on a range of surfaces including stretched paper, canvas and wood. Her work is a means of transforming these commercial images into a fine art.
Most recently, she has created public interventions on the Luas Green Line, Portobello and outside the Central Bank on Dame Street.
Cans aux Canal. Oil on wooden board, 80 x 60cm
Dr. No Part 8 on Youtube. Oil on canvas, 50 x 40cm
Chopin Go to Sleep. Oil on canvas, 29.7 x 42cm
Quarantine Classics, Juliette Morrison Piano. Oil on cardboard, 30 x 30cm
Tom travels to Venice to convince Dickie, a rich man's son to return to the US. When he gets obsessed with Dickie's lavish lifestyle, he resorts to extreme measures to impersonate him. Oil on canvas, 60 x 50cm
The Return of Disco. Oil on canvas, 40 x 30cm
9 o'clock at the Dropping Well. Oil on wooden board, 53 x 41cm
Rococo Variations (Portrait of Aisling Drury Byrne). Oil on stretched paper, 30 x 30cm
It Actually Tastes Nice. Oil on canvas, 50 x 40cm
Jenna on Harpsichord and Juliette on Violin. Oil on canvas, 25 x 25cm